A co-production with La Jolla Playhouse and Berkeley Repertory Theatre; written by Lynn Nottage; directed by Liesl Tommy; choreography by Randy Duncan; scenic design by Clint Ramos; costume design by Kathleen Geldard; lighting design by Lap Chi Chu; original music, sound design and music direction by Broken Chord; dramaturg, Shirley Fishman; fight direction, Steven Rankin
Cast in order of appearance:
Mama Nadi, Tonye Patano; Christian, Oberon K.A. Adjepong; Sophie, Carla Duren; Salima, Pascale Armand; Josephine, Zainab Jah; Musician 1, Alvin Terry; Musician 2, Adesoji Odukogbe; Jerome Kisembe, Wendell B. Franklin; Mr. Harari, Joseph Kamal; Commander Osembenga, Adrain Roberts; Fortune, Jason Bowen; Simon, Okieriete Onaodowan; Laurent, Kola Ogundiran
Performances: Now through February 6, Huntington Theatre Company, Boston University Theatre, 264 Huntington Avenue, Boston
Tickets: $25-$89, online at huntingtontheatre.org, by phone at 617-266-0800, or at the B.U. Theatre Box Office
"Ruined," Lynn Nottage's Pulitzer Prize-winning play about the ability of Congolese women to survive unimaginable brutality at the hands of countrymen at war, is both repulsive and riveting - and not to be missed. 
Nottage, director Liesl Tommy, and the entire Huntington Theatre cast have managed to do the impossible. They have embraced the indestructible humanity that enables the world to maintain hope while exposing the unspeakable savagery that continues to run rampant throughout East Africa - despite an "official" end to that region's catastrophic civil war in 2002.
Through the voices of the play's victimized women, "Ruined" speaks for all women who somehow manage to hold onto their courage, faith, and ability to dream even in the face of rape, torture, kidnapping and abandonment. They also speak for the Congo itself, whose land and resources are equally destroyed by foreign exploiters and warring tribes. Alternately punishing and poetic, Nottage's script shocks the breath out of the audience one minute and elicits tears of hope the next.
At the center of "Ruined" is Mama Nadi (Tonye Patano), a street-smart, no-nonsense, wise-cracking matron whose ramshackle barroom/brothel serves as a fragile oasis amidst the Congo's overwhelming chaos. Mama maintains a meager civility in her tiny corner of the world by taking no side but her own, serving customers of all persuasions as long as they park their guns - and their politics - at the door. Befriending all, she courts respect from government militia, rebel freedom fighters, indentured coltan miners, and outside opportunists who gain substantial wealth by fencing valuable conflict minerals to the world's biggest technology firms.
Mama also provides a safe haven of sorts to young refugee women whom she presses into service as prostitutes in exchange for food, shelter, and a very small percentage of the take. Her approach is a simple one. 
Either sell yourself in a controlled environment or be raped and tortured on your own. While Mama's pragmatism at first appears cold and self-serving, it ultimately proves to be an essential survival mechanism - for herself and all the women in her tenuous care.
The delicate balance that Mama maintains in her modest retreat is disrupted, however, when Christian (Oberon K.A. Adjepong), her affable traveling salesman/supplier, prevails upon her to take in two new young women, Sophie (Carla Duren) and Salima (Pascale Armand). Both victims of devastating horror at the hands of marauding soldiers and subsequent rejection by their families for being thusly "ruined," the unassuming girls unwittingly draw the war inside Mama Nadi's by taking determined stands against further indignities.
